Free practice tools for choir singers

Synthesized voices sing your part with its words. Each work has three kinds of track per voice: your part alone with metronome clicks, all parts with yours louder, and all parts equal. They play on the site, in the browser, on a phone too.

Expect advertising: a consent dialog opens on each page, and the player pages load ads. Its pages keep their desktop layout on a phone, so you will zoom.

Large choral works movement by movement, with a track for each voice and one for all. Listening on the site is free, in a player with speed control, skips back and forward, and a loop between two points. Downloads cost money: all tracks of one voice of the Brahms Requiem were US$24.99.

The site shows Google ads and runs a store with Amazon links for choir supplies.

MIDI files for major works, anthems, madrigals and carols, made by a tenor who sings in community choirs: for each piece one file with all parts and one per voice with that voice brought out. He adds pieces most months; the latest when we looked was from October 30, 2026.

To hear MIDI files you need a program or an app that plays them. The site lists players for Windows, Mac, iOS and Android, and links two web apps made for choir parts.

A new melody every time, in the key, time signature, length and level you choose, played back on a piano sound with a count-in, so you can sing first and then check. Every exercise has its own link, which a choir director can send to the whole section.

It writes in the treble clef only, between middle C and the B above it: right for sopranos and altos, and for tenors, who read the treble clef an octave down. Basses and baritones need a tool with a bass clef, such as AuralSkills.net below.

A new melody at each tap, in treble, bass or alto clef, major or minor, in five levels from quarter notes moving by step to sixteenths and accidentals. It counts you in, plays the scale first if you want, and prints a full sheet.

Before each melody it plays the cadence, the scale or the first note, so you start in the key; after you sing, it plays the melody to compare. The melodies come from a fixed set (29 with its default settings).

Melodies generated for your voice range, with a reference pitch, a drone to sing against and solfège syllables under the notes if you want them. It doesn't listen to you; you judge your own singing.

The Choral Public Domain Library: free scores of at least 56,670 choral and vocal works by at least 5,581 composers, by its own count. A work page lists every edition volunteers have made, full scores, vocal scores, single choral parts and arrangements, most as PDF and many also as MIDI or MusicXML. Some link rehearsal tracks at Choralia.

Each edition names its license. Most use CPDL's own, which lets you copy, perform and record the music as long as the notice stays on it; some say "Personal" or carry other conditions, so read the line before you copy a score for your choir.

Public-domain scores of every kind, 890,000 of them by its own count in November 2026. For choirs it has the vocal scores of the big works: 48 of Handel's Messiah alone, next to full scores and parts.

Downloads are free without an account. Members, at US$3.49 a month or US$32 a year, skip the wait before each download and can stream its recordings. What counts as public domain differs from country to country, and every file shows its copyright status.

Free sight-singing exercises for choirs, written by a choral composer: unison, SA, SSA, TB, TTB, SAB and SATB, at beginning to advanced levels, 42 in all, plus a short SATB piece and a warm-up, each a PDF. The page says it plainly: no catch.

A free book of about 400 melodies for sight singing, arranged step by step: public-domain melodies and some written for the book, aimed at the first year of a college musicianship course. The book is under a Creative Commons Attribution-ShareAlike license or the GPL, your choice.